Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Sitār), Video by Sakis Laios
Beginning of Alapa
Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first section of the Ālāpa.

Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios
Beginning of Nibaddha (rhythmic) section
Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the first part of the Nibaddha (rhythmic, accompanied by percussion) section. The composition starts on beat 12, and is characteristic of the Masīdkhanī style of compositions.

Anand Mishra playing morning Raga Gurjarī Tori, Mishra, Anand, (Mishra, Bolanāth), (Sitār, Tablā), Video by Sakis Laios
End of Nibaddha (rhythmic) section
Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the final part of the Nibaddha (rhythmic, accompanied by percussion) section, which ends with a Jhālā Tihāī. The composition (Gat) is characteristic of the Masīdkhanī style.

Annapurna Devi playing Raga Kaunsi Kanada on Surbahar, youtube
Recorded in the 1950's.

Bahauddin Dagar playing Rāga Bhimpalashi on the Rudrā Vīņā, Dagar, Bahauddin, (Agle, Sanjay [Pakhāwaj]), (Rudrā Vīņā, Pakhāwaj, Taňburā), Video by Sakis Laios
Noon concert - presentation of Rudrā Vīņā at the BHU.
This is the final section of a performance of Bahauddin Dagar playing Rudrā Vīņā. The performance (noon - afternoon Rāga Bhīmpalashī was performed) at the Pt. Omkarnath Thakur Auditorium, Faculty of Performing Arts, BHU, 13/02/2009. Bahauddin Dagar follows the Dhrupada-style of elaborating a Rāga, this is why he is accompanied by the Pakhāwaj and not by a Tablā. The Tāla (rhythmic cycle) is the 12-Mātrā (beat) Cautāla.

Bismillah Khan singing Rāga Miyān ki Toďī, Khan, Bismillah, (Śehnāī, Tablā, Kadda), Youtube
Śehnāī-master Bismillah Khan singing a short Ālāpa on the famous Rāga Miyān ki Toďī, which is supposedly Miyān Tānsen's invention.

Hariprasad Chaurasia (Bānsurī) playing Rāga Jog, Chaurasia, Hariprasad, (Khan, Sabir), (Bānsurī, Tablā, Taňburā), Youtube
Composition in Matta Tāla
Bānsurī-master Pt. Hariprasad Chaurasia performing evening Rāga Jog, in the not-so-common Matta Tāla (9 beats).

Kronos Quartet: Alap from Raga Mishra Bhairavi (by Ram Narayan), Kronos Quartet, (violin, viola, cello), Youtube

Mita Nag plays Raga Bhatiyar (morning Rāga) on Sitar, Mita Nag, (Sitar), youtube

N. Rajam (violin) playing Rāga Miyān ki Toďī, N. Rajam, (Ram Kumar Mishra), (Violin, Tabla), Youtube
Ram Kumar Mishra on Tabla

Pt. Bhimsen Joshi performing a Ţhumrī in Rāga Kāfī, Bhimsen Joshi(Pt.), (vocal)
"Piya To Manat Nahi"

Pt. Bhimsen Joshi performing Rāga Bhairava, Bhimsen Joshi(Pt.), (vocal)

Pt. Bhimsen Joshi performing Rāga Bhairavī, Joshi, Bhimsen (Pt.), (vocal, Tablā, Sāraņgī, Harmonium, Taňburā), Vimeo
Ακούγεται και Sāraņgī, αλλά δεν φαίνεται ο εκτελεστής.

Pt. Bhimsen Joshi singing Rāga Miyān ki Malhār, Bhimsen Joshi(Pt.), (vocal)

Pt. Bhimsen Joshi singing Rāga Śuddha Kalyāņa, Bhimsen Joshi(Pt.), (vocal)
"Monder Bajyo"

Raga Hansdhwani on Jal tarang, Ragini Trivedi, (Jaltarang, Tabla), youtube

Rāgamāla of Raga Bhairava, internet

Rāgamāla of Raga Dipak

Rāgamāla of Raga Hindol

Rāgamāla of Raga Mālakaunśa

Ram Narayan (Sarangi) performing a Rāgāmāla on Raag Mishra Pilu, Narayan, Ram (Sāraņgī), (Suresh Talwalkar (tabla)), (Sāraņgī), Youtube

Ud. Amir Khan singing Rāga Śuddha Kalyāņa, Amir Khan (Ud.), (vocal)

Vidushi Smt. N Rajam - Raga Darbari, N. Rajam, (Ram Kumar Mishra), (Violin, Tabla), Youtube
Ram Kumar Mishra on Tabla