• Kayada 1, type: Kayada, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: DhaDhaTeTe, DhaDhaTinNa, complexity: 2
    Kayada στο θέμα "DhaDhaTeTeDhaDhaTinNa"

DhaDhaTeTe DhaDhaTinNa

Theme

Dha Dha Te Te
Dha Dha Tin Na
Ta Ta Te Te
Dha Dha Dhin Na

Palta 1

Dha Dha Te Te Dha Dha Te Te
Dha Dha Te Te Dha Dha Tin Na
Ta Ta Te Te Ta Ta Te Te
Dha Dha Te Te Dha Dha Dhin Na

Palta 2

Dha Dha Te Te Te Te Te Te
Dha Dha Te Te Dha Dha Tin Na
Ta Ta Te Te Te Te Te Te
Dha Dha Te Te Dha Dha Dhin Na

Palta 3

Dha Dha Te Te Dha Te Te Dha
Dha Dha Te Te Dha Dha Tin Na
Ta Ta Te Te Ta Te Te Ta
Dha Dha Te Te Dha Dha Dhin Na

Palta 4

Dha Te Te Dha Te Te Te Te
Dha Dha Te Te Dha Dha Tin Na
Ta Te Te Ta Te Te Te Te
Dha Dha Te Te Dha Dha Dhin Na

Palta 5

Dha Te Te Dha Te Te Te Te
Dha Te Te Dha Te Te Te Te
Dha Te Te Dha Te Te Te Te
Dha Dha Te Te Dha Dha Tin Na
Ta Te Te Ta Te Te Te Te
Ta Te Te Ta Te Te Te Te
Dha Te Te Dha Te Te Te Te
Dha Dha Te Te Dha Dha Dhin Na

Palta 6

Dha Dha Dha Dha Te Te Te Te
Dha Dha Dha Dha Tin Na Tin Na
Ta Ta Ta Ta Te Te Te Te
Dha Dha Dha Dha Dhin Na Dhin Na

Palta 7

Dha Dha Te Te _ Dha Te Te
Dha Dha Te Te Dha Dha Tin Na
Ta Ta Te Te _ Ta Te Te
Dha Dha Te Te Dha Dha Dhin Na

Palta 8

Dha   Te Te _ Dha Te Te
Dha Dha Te Te Dha Dha Tin Na
Ta   Te Te _ Ta Te Te
Dha Dha Te Te Dha Dha Dhin Na

Palta 9

Dha Te Te Dha Te Te Tin Na
Ta Te Te Dha Te Te Dhin Na

Tihai

Dha Dha Te Te Dha Dha Dhin Na
Dha   _   Dha Dha Te Te
Dha Dha Dhin Na Dha   _  
Dha Dha Te Te Dha Dha Dhin Na
Dha        

 

Relevant dictionary terms

  • Catasra Τσατάσρ [IN] Είδος (Jāti) του ρυθμού. Η διαίρεση του παλμού σε τέσσερα (4) μέρη.
  • कायदा Kāyadā Κάι(α)ντα [IN] Κατά λέξη «κανόνας» ή «σύστημα», είναι μορφή σύνθεσης στα κρουστά της Βόρειας Ινδίας, που συνίσταται στην -εν μέρει προετοιμασμένη και εν μέρει αυτοσχεδιαζόμενη- ανάπτυξη «παραλλαγών» πάνω στο «θέμα» μιας προκαθορισμένης σύνθεσης.
  • तीनताल Tīntāla Τίιντααλ [IN] Δημοφιλής, Tāla (μετρικός κύκλος) των 16 Mātrā. Οι περισσότερες ασκήσεις και συνθέσεις στα πρώτα χρόνια μαθητείας είναι σε Tīntāla.

Relevant multimedia

Principles for improvising the indian way

A video presenting some basic structural elements of Hindusthani Classical Music, focusing on a Masīdkhanī-type composition on Rāga Ahir Bhairava. The following features are presented:

  • a main composition (Bandish) [comprising of 3 parts: Sthāyī, Uccāla 1 & Uccāla 2),
  • some exemplary elementary improvisational phrases (Tāna-s),
  • the ways of moving back and forth to and from each part, by adjusting the Mukhaďā

Be in touch, for upcoming interactive version, in which the user will be able to loop parts, in order for him to study thoroughly. This video tutorial is mostly addressed to Greek and Western musicians wishing to get a glimpse of the principles undelying the improvisational practices of the Classical music of Northern India.

Pt. Bhimsen Joshi performing Rāga Bhairavī

Ακούγεται και Sāraņgī, αλλά δεν φαίνεται ο εκτελεστής.

Roopaka-Taala Kayada (Dha-KraDha TeDhaGiNa DhinNaGiNa)

Draft performance & video by Sakis Laios

This is a Kayada (theme & development) in Roopaka Taala, which was given to me by Pt. Ram Kumar Mishra in summer 2012. A few months later, this is what I've managed to do so far...

Initially, this was a one-shot video, out of which I've just selected four parts and glued together. Then, I pasted the text with the composition and designed the Taala Circle on the top left for visual reference.

 

Smt. Reshma Srivastava & Pt. Ram Kumar Mishra. Raag Kirwani (Drut Tintal)

 

Smt. Reshma Srivastava developing evening melody Rāga Kirwani. Tablā accompaniment by Pt. Ram Kumar Mishra. Rhytmic cycle is Drut (fast) Tīntāla (16 Mātrā-s).

Concert held at Parga, Greece, 7 June 2012. Video recording & processing by Sakis Laios.

 

Smt. Reshma Srivastava & Pt. Ram Kumar Mishra. Raag Kirwani (Vilambit Tintal)

Smt. Reshma Srivastava developing evening melody Rāga Kirwani. Tablā accompaniment by Pt. Ram Kumar Mishra. Rhytmic cycle is Vilambita Tīntāla (16 Mātrā-s).

Concert held at Parga, Greece, 7 June 2012. Video recording & processing by Sakis Laios.