• Tisra Jati Gat 2, type: Gat, tala: Tintal, jati: Tisra, source: Austin, complexity: 5
    Beatiful Gat, especially for its double-speed (KaTa)x3 phrase.

 

Tisra Jati Gat 2

Dha– TeTe TeTe DhaGe TeTe TeTe Kat-TeRe KiTaDhe- TeTe KaTa GaDi Gena
KaTa KaTa KaTa KaTaKaTa KaTaKat- TeTe Kat-Tere KiTaDhe- TeTe KaTa GaDi Gena

Can also be grouped as

Dha Te Te Te Te Dha Ge Te Te Te Te Kat- TeRe KiTa Dhe- Te Te Ka Ta Ga Di Ge Na
Ka Ta Ka Ta Ka Ta KaTa KaTa KaTa Kat- Te Te Kat- Tere KiTa Dhe- Te Te Ka Ta Ga Di Ge Na

 

or even

Dha Te Te Te Te Dha Ge Te Te Te Te Kat TeRe KiTa Dhe Te Te Ka Ta Ga Di Ge Na
Ka Ta Ka Ta Ka Ta KaTa KaTa KaTa Kat Te Te Kat Tere KiTa Dhe Te Te Ka Ta Ga Di Ge Na

 

 

Relevant dictionary terms

  • गत Gat Γκατ [IN] Mορφή οργανικής σύνθεσης, συνήθως για έγχορδα όργανα.
  • तीनताल Tīntāla Τίιντααλ [IN] Δημοφιλής, Tāla (μετρικός κύκλος) των 16 Mātrā. Οι περισσότερες ασκήσεις και συνθέσεις στα πρώτα χρόνια μαθητείας είναι σε Tīntāla.
  • Tisra [IN] Είδος (Jāti) του ρυθμού. Η διαίρεση του παλμού σε τρία (3) μέρη.

Relevant multimedia

Anand Mishra playing morning Raga Gurjarī Tori
Extract from sitariya Anand Mishra's performance of Rāga Gurjarī Toďī, at his graduation exams, Faculty of Performing Arts, BHU, 25/03/2009. This is the final part of the Nibaddha (rhythmic, accompanied by percussion) section, which ends with a Jhālā Tihāī. The composition (Gat) is characteristic of the Masīdkhanī style.
Principles for improvising the indian way

A video presenting some basic structural elements of Hindusthani Classical Music, focusing on a Masīdkhanī-type composition on Rāga Ahir Bhairava. The following features are presented:

  • a main composition (Bandish) [comprising of 3 parts: Sthāyī, Uccāla 1 & Uccāla 2),
  • some exemplary elementary improvisational phrases (Tāna-s),
  • the ways of moving back and forth to and from each part, by adjusting the Mukhaďā

Be in touch, for upcoming interactive version, in which the user will be able to loop parts, in order for him to study thoroughly. This video tutorial is mostly addressed to Greek and Western musicians wishing to get a glimpse of the principles undelying the improvisational practices of the Classical music of Northern India.

Pt. Bhimsen Joshi performing Rāga Bhairavī

Ακούγεται και Sāraņgī, αλλά δεν φαίνεται ο εκτελεστής.

Smt. Reshma Srivastava & Pt. Ram Kumar Mishra. Raag Kirwani (Drut Tintal)

 

Smt. Reshma Srivastava developing evening melody Rāga Kirwani. Tablā accompaniment by Pt. Ram Kumar Mishra. Rhytmic cycle is Drut (fast) Tīntāla (16 Mātrā-s).

Concert held at Parga, Greece, 7 June 2012. Video recording & processing by Sakis Laios.

 

Smt. Reshma Srivastava & Pt. Ram Kumar Mishra. Raag Kirwani (Vilambit Tintal)

Smt. Reshma Srivastava developing evening melody Rāga Kirwani. Tablā accompaniment by Pt. Ram Kumar Mishra. Rhytmic cycle is Vilambita Tīntāla (16 Mātrā-s).

Concert held at Parga, Greece, 7 June 2012. Video recording & processing by Sakis Laios.