• Anāgata Tukrā 01, composer:Sakis Laios   type: Tukra, tala: Tintal, jati: Catasra, complexity: 6
  • Ati Vilambit Tintal, composer:Traditional   type: Theka, tala: Tintal, jati: Catasra, baj: Punjabi, source: Austin, focus on: Basic fill-up of the Tintal-theka in very slow speed, complexity: 3
  • Bāsant Tāla Ţhekā, type: Theka, tala: Basant tal, jati: Catasra, focus on: Basic Bāsant-Tāla structure, complexity: 0
  • Chakradar 11, type: chakradar, tala: Tintal, jati: Catasra, complexity: 8
  • Chauhai Tukra 1, composer:Traditional   type: Tukra, tala: Tintal, jati: Catasra, source: Youtube, complexity: 4
  • Dha_GeGe groove1, composer:Anindo Chatterjii   type: Exercise, tala: Tintal, jati: Catasra, source: Austin, complexity: 4
  • Dīpacandī Ţhekā, composer:Traditional   type: Theka, tala: Dipchandi, jati: Catasra, complexity: 4
  • Ekatāla Ţhekā, composer:Traditional   type: Theka, tala: Ektal, jati: Catasra, complexity: 4
  • Exercise 1, type: Exercise, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Basic sounds - Gi, Ki, Te, Na, complexity: 1
  • Exercise 2, type: Exercise, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Basic sounds - Gi, Ki, Te, Na, complexity: 1
  • Exercise 3, type: Exercise, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Basic sounds - Gi, Ki, Te, Na, complexity: 1
  • Exercise 4, composer:Sakis Laios   type: Exercise, tala: Tintal, focus on: Transition between matra division in 3 and division in 4., complexity: 4
  • Exercise 5, type: Exercise, tala: Tintal, jati: Catasra, source: Austin, focus on: Dha, Tit in various combinations, complexity: 4
  • Farukhabad Uthan, composer:Traditional   type: Uthan, tala: Tintal, jati: Tisra, baj: Farukhabad, source: Debu Nayak, complexity: 6
  • Fours over Rumba, composer:Sakis Laios   type: Exercise, tala: Tintal, jati: Catasra, baj: Saloniki baba, source: musicking.gr, focus on: Hand independence. 4s over Rumba, complexity: 6
  • Ganesh Paran, composer:traditional   type: Paraņa, tala: Tintal, jati: Catasra, source: Achyut Ram Bhandari, focus on: Invocation of Lord Ganesha, complexity: 6
  • Jhaptal Kayda 1, type: Kayada, tala: Jhaptal, jati: Catasra, baj: Punjabi, source: Austin, complexity: 6
  • Jhaptal Kayda 2, composer:Traditional   type: Kayada, tala: Jhaptal, jati: Catasra, baj: Punjabi, source: Austin, complexity: 7
  • Jhaptal Layakari, composer:traditional   type: Layakari, tala: Jhaptal, jati: Catasra, source: Nirmal Goswami, focus on: Elementary filling-up of Jhaptal Ţhekā in slow (vilambit) tempo, complexity: 4
  • Jhaptal Rela 3, type: Rela, tala: Jhaptal, jati: Catasra, baj: Benares, source: Nirmal Goswami, complexity: 5
  • Jhaptal theka, composer:traditional   type: Theka, tala: Jhaptal, jati: Catasra, focus on: Basic Jhaptal structure, complexity: 3
  • Kayada 1, type: Kayada, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: DhaDhaTeTe, DhaDhaTinNa, complexity: 2
  • Kayada 12, composer:Traditional   type: Kayada, tala: Tintal, jati: Tisra, baj: Delhi, source: Debu, Varanasi, focus on: Division of Matra in 6 (3X2 and 2X3), complexity: 8
  • Kayada 13, composer:Traditional   type: Kayada, tala: Tintal, jati: Catasra, baj: Delhi, source: Youtube, complexity: 6
  • Kāyadā 19, type: Kayada, tala: Tintal, jati: Catasra, source: Austin, complexity: 7
  • Kayada 2, type: Kayada, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Diredire, KiTeTaka, complexity: 3
  • Kayada 5a, composer:Traditional   type: Kayada, tala: Tintal, jati: Catasra, baj: Punjabi, source: youtube, complexity: 5
  • Kayada 5b, type: Kayada, tala: Tintal, jati: Catasra, baj: Benares, source: Austin, focus on: DhaTeTe (3 beats) in various elaborations., complexity: 5
  • Kayada 76, composer:Allah Rakha   type: Kayada, tala: Tintal, jati: Catasra, baj: Punjabi, source: Austin, focus on: structures of 7s in 16, complexity: 5
  • Konnakol - 2 Talams, type: Tukra, tala: Jhaptal, jati: catasra, baj: Karnatak, complexity: 8
  • Peshkar 1, composer:Traditional   type: Peshkar, tala: Tintal, jati: Catasra, baj: Delhi, source: Austin, focus on: Usual first-level elaboration of the Theka, complexity: 1
  • Peshkar 1 (Tihai), composer:Traditional   type: Tihai, tala: Tintal, jati: Catasra, baj: Delhi, source: Austin, complexity: 7
  • Peshkar 2, composer:Traditional   type: Peshkar, tala: Tintal, jati: Catasra, baj: Farukhabad, source: Debu Nayak, complexity: 5
  • Punjabi Uthan, composer:Traditional   type: Uthan, tala: Tintal, jati: Catasra, baj: Punjabi, source: Sajjad Chowdhry, complexity: 6
  • Rupak Kayada 1, composer:Traditional   type: Kayada, tala: Rupak, jati: Catasra, Mishra, baj: Benares, source: Ram Kumar Mishra, focus on: KraDha phrase, complexity: 8
  • Thirakwa tukra, composer:Ahmed Jan Thirakwa   type: Tukra, tala: Tintal, jati: Catasra, source: Jnan Ghosh [Austin], complexity: 4
  • Tisra Jati Gat 1, composer:Zakir Hussain   type: Gat, jati: Tisra, baj: Punjabi, source: Austin, complexity: 2
  • Tisra Jati Gat 2, type: Gat, tala: Tintal, jati: Tisra, source: Austin, complexity: 5
  • Tripalli 1, composer:Traditional   type: Tihai, tala: Tintal, jati: mishra, source: Achyut Ram Bhandari, focus on: 3 divisions of rhythm, complexity: 8
  • Tukra 15, composer:Traditional   type: Tukra, tala: Tintal, jati: Catasra, source: Austin, complexity: 7