- Anāgata Tukrā 01, composer:Sakis Laios type: Tukra, tala: Tintal, jati: Catasra, complexity: 6
- Ati Vilambit Tintal, composer:Traditional type: Theka, tala: Tintal, jati: Catasra, baj: Punjabi, source: Austin, focus on: Basic fill-up of the Tintal-theka in very slow speed, complexity: 3
- Bāsant Tāla Ţhekā, type: Theka, tala: Basant tal, jati: Catasra, focus on: Basic Bāsant-Tāla structure, complexity: 0
- Chakradar 11, type: chakradar, tala: Tintal, jati: Catasra, complexity: 8
- Chauhai Tukra 1, composer:Traditional type: Tukra, tala: Tintal, jati: Catasra, source: Youtube, complexity: 4
- Dha_GeGe groove1, composer:Anindo Chatterjii type: Exercise, tala: Tintal, jati: Catasra, source: Austin, complexity: 4
- Dīpacandī Ţhekā, composer:Traditional type: Theka, tala: Dipchandi, jati: Catasra, complexity: 4
- Ekatāla Ţhekā, composer:Traditional type: Theka, tala: Ektal, jati: Catasra, complexity: 4
- Exercise 1, type: Exercise, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Basic sounds - Gi, Ki, Te, Na, complexity: 1
- Exercise 2, type: Exercise, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Basic sounds - Gi, Ki, Te, Na, complexity: 1
- Exercise 3, type: Exercise, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Basic sounds - Gi, Ki, Te, Na, complexity: 1
- Exercise 4, composer:Sakis Laios type: Exercise, tala: Tintal, focus on: Transition between matra division in 3 and division in 4., complexity: 4
- Exercise 5, type: Exercise, tala: Tintal, jati: Catasra, source: Austin, focus on: Dha, Tit in various combinations, complexity: 4
- Farukhabad Uthan, composer:Traditional type: Uthan, tala: Tintal, jati: Tisra, baj: Farukhabad, source: Debu Nayak, complexity: 6
- Fours over Rumba, composer:Sakis Laios type: Exercise, tala: Tintal, jati: Catasra, baj: Saloniki baba, source: musicking.gr, focus on: Hand independence. 4s over Rumba, complexity: 6
- Ganesh Paran, composer:traditional type: Paraņa, tala: Tintal, jati: Catasra, source: Achyut Ram Bhandari, focus on: Invocation of Lord Ganesha, complexity: 6
- Jhaptal Kayda 1, type: Kayada, tala: Jhaptal, jati: Catasra, baj: Punjabi, source: Austin, complexity: 6
- Jhaptal Kayda 2, composer:Traditional type: Kayada, tala: Jhaptal, jati: Catasra, baj: Punjabi, source: Austin, complexity: 7
- Jhaptal Layakari, composer:traditional type: Layakari, tala: Jhaptal, jati: Catasra, source: Nirmal Goswami, focus on: Elementary filling-up of Jhaptal Ţhekā in slow (vilambit) tempo, complexity: 4
- Jhaptal Rela 3, type: Rela, tala: Jhaptal, jati: Catasra, baj: Benares, source: Nirmal Goswami, complexity: 5
- Jhaptal theka, composer:traditional type: Theka, tala: Jhaptal, jati: Catasra, focus on: Basic Jhaptal structure, complexity: 3
- Kayada 1, type: Kayada, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: DhaDhaTeTe, DhaDhaTinNa, complexity: 2
- Kayada 12, composer:Traditional type: Kayada, tala: Tintal, jati: Tisra, baj: Delhi, source: Debu, Varanasi, focus on: Division of Matra in 6 (3X2 and 2X3), complexity: 8
- Kayada 13, composer:Traditional type: Kayada, tala: Tintal, jati: Catasra, baj: Delhi, source: Youtube, complexity: 6
- Kāyadā 19, type: Kayada, tala: Tintal, jati: Catasra, source: Austin, complexity: 7
- Kayada 2, type: Kayada, tala: Tintal, jati: Catasra, baj: Benares, source: Nirmal Goswami, focus on: Diredire, KiTeTaka, complexity: 3
- Kayada 5a, composer:Traditional type: Kayada, tala: Tintal, jati: Catasra, baj: Punjabi, source: youtube, complexity: 5
- Kayada 5b, type: Kayada, tala: Tintal, jati: Catasra, baj: Benares, source: Austin, focus on: DhaTeTe (3 beats) in various elaborations., complexity: 5
- Kayada 76, composer:Allah Rakha type: Kayada, tala: Tintal, jati: Catasra, baj: Punjabi, source: Austin, focus on: structures of 7s in 16, complexity: 5
- Konnakol - 2 Talams, type: Tukra, tala: Jhaptal, jati: catasra, baj: Karnatak, complexity: 8
- Peshkar 1, composer:Traditional type: Peshkar, tala: Tintal, jati: Catasra, baj: Delhi, source: Austin, focus on: Usual first-level elaboration of the Theka, complexity: 1
- Peshkar 1 (Tihai), composer:Traditional type: Tihai, tala: Tintal, jati: Catasra, baj: Delhi, source: Austin, complexity: 7
- Peshkar 2, composer:Traditional type: Peshkar, tala: Tintal, jati: Catasra, baj: Farukhabad, source: Debu Nayak, complexity: 5
- Punjabi Uthan, composer:Traditional type: Uthan, tala: Tintal, jati: Catasra, baj: Punjabi, source: Sajjad Chowdhry, complexity: 6
- Rupak Kayada 1, composer:Traditional type: Kayada, tala: Rupak, jati: Catasra, Mishra, baj: Benares, source: Ram Kumar Mishra, focus on: KraDha phrase, complexity: 8
- Thirakwa tukra, composer:Ahmed Jan Thirakwa type: Tukra, tala: Tintal, jati: Catasra, source: Jnan Ghosh [Austin], complexity: 4
- Tisra Jati Gat 1, composer:Zakir Hussain type: Gat, jati: Tisra, baj: Punjabi, source: Austin, complexity: 2
- Tisra Jati Gat 2, type: Gat, tala: Tintal, jati: Tisra, source: Austin, complexity: 5
- Tripalli 1, composer:Traditional type: Tihai, tala: Tintal, jati: mishra, source: Achyut Ram Bhandari, focus on: 3 divisions of rhythm, complexity: 8
- Tukra 15, composer:Traditional type: Tukra, tala: Tintal, jati: Catasra, source: Austin, complexity: 7